"Not in any way?" "And do you say you love her?"!

"Well, was it I, pray, who perpetrated the wrong? Ain't I doing what I can to get the thing arranged?" Fleda hesitated. "Has he informed you, dear Mrs. Gereth?"

"I watch her, I count on her: how can I do anything else? If I count on her to let me definitely know how we stand, I do nothing in life but what she herself has led straight up to. I never thought of asking you to 'get rid of her' for me, and I never would have spoken to you if I hadn't held that I am rid of her, that she has backed out of the whole thing. Didn't she do so from the moment she began to put it off? I had already applied for the license; the very invitations were half addressed. Who but she, all of a sudden, demanded an unnatural wait? It was none of my doing; I had never dreamed of anything but coming up to the scratch." Owen grew more and more lucid, and more confident of the effect of his lucidity. "She called it 'taking a stand,' to see what mother would do. I told her mother would do what I would make her do; and to that she replied that she would like to see me make her first. I said I would arrange that everything should be all right, and she said she really preferred to arrange it herself. It was a flat refusal to trust me in the smallest degree. Why then had she pretended so tremendously to care for me? And of course, at present," said Owen, "she trusts me, if possible, still less." CHAPTER XI These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"